PachaKamani - 2025

This week on Tuesday April 22th at 12:00 (CET) FM our slot on Colaboradio/Freies Radio Berlin Brandenburg, we host the monthly contribution from Bolivia PachaKamani - 2025.

Sesión 10 - Kamani Archipel

Ep 10. Jula julas y charangos. Dinámicas musicales del Tinku y la fiesta del 3 de Mayo

En este episodio del podcast, exploramos la fiesta del 3 de Mayo y la música ejecutada por comunidades quechuas en la región del Norte de Potosí, Bolivia. Nos adentramos en el concepto del Tinku y su evolución a lo largo del tiempo. Desde su origen ancestral en un contexto festivo y rural, hasta su reinterpretación como ritmo musical en los años 70 y 80, y finalmente su consolidación como una forma de danza impulsada por ballets folklóricos en los años 90 hasta la actualidad.

Utilizamos grabaciones realizadas por Tawit Lipan de Radio Culturas en junio de 2018, para brindar un contexto sonoro auténtico. También abordamos preguntas clave como: ¿Qué es el Jula Jula? ¿Cómo se puede reconocer esta música? ¿Cuál es la diferencia o relación entre el tinku y el Jula Jula? Además, discutimos la transmisión generacional del Jula Jula y la importancia del registro y rescate de las músicas ancestrales y originarias en Bolivia.

En este mes de mayo, celebramos un aniversario más de la creación de nuestro Colectivo PachaKamani. Nos alegra poder continuar con este proyecto desde sus inicios en 2005. Para agregar contexto adicional, incorporamos el segmento “Paisaje Sonoro” con una grabación del desalojo de vendedoras en el Mercado Rodríguez en La Paz el 26 de marzo de 2020. En el episodio, se utilizan grabaciones de campo y discos de vinilo que capturan la música autóctona del Norte de Potosí y el sonido de festividades como la Fiesta de la Cruz. También se incluyen fragmentos de canciones de artistas como Savia Andina y Banda Espectacular Pagador de Oruro. La cortina musical del episodio es un fragmento de “Latidos Sonoros” de Phusiri. Para más información y contacto, puedes visitar nuestra página web:

https://pachakamani.com/podcast/ https://pachakamani.com/podcast/ep-10-jula-julas-y-charangos-dinamicas-musicales-del-tinku-y-la-fiesta-del-3-de-mayo/

AIRES CREATIVOS - Temporada 2 - 2025

This week on Tuesday April 22th at 14:00 (CET) FM our slot on Colaboradio/Freies Radio Berlin Brandenburg, we host the monthly contribution from Chile Aires Creativos - Season 2 - 2025. The show replay on FM at 02:00 of the following day.

En este episodio del podcast Aires Creativos, del proyecto Nuevos Aires Chilenos para Oboe, la periodista Dra. Nayive Ananías, conversará con el compositor Juan Manuel Quinteros sobre su vida, sus músicas y su labor como formador.

Aires Creativos es un ciclo de entrevistas con compositores y compositoras, en las cuales se profundizará en sus procesos, búsquedas y motivaciones, con un foco además en el trabajo colaborativo que han desarrollado con José Luis Urquieta. La mitad de las entrevistas son realizadas por Nayive Ananías y la otra mitad, por Romina de la Sotta. Se estrenará una sesión al mes, hasta diciembre.
Aires Creativos se transmite por Spotify y Archipel Community Radio de Berlín: https://archipel.community/ y también en nuevosaireschilenosparaoboe.com

Producción, José Luis Urquieta Producción Alemania-Bolivia, Bertha Elena Artero y Lluvia Bustos Comusik

Archipel e.V is a small arts and culture association registered within the german requirments, according to which we assigned as our main purpose advocating for tolerance in all areas of culture and the concept of international understanding, especially supporting the emancipation of entities that have been pushed to the margins.

In the last months we have watched consecutive war crimes being commited by Israel backlashing Hamas horrendous attentat on October 7th 2023. We have watched powerful governments, in particular the German, support inconditionally and financially an offensive in Palestine that is unjustifiable. We watched hate speech profaned by the mouths of people in charge. We watched hundreds of international human rights organisations desperately denoucing an on-going massacre. We have watched protests, especially in Berlin, that in no way endorsed Hamas - instead mourne and demanded respect to human rights - be violently supressed. We have watched police reinforcement of racial profiling and provocations to the Palestinian, Arab and Muslim communitites living in Berlin. We have watched a quick escalation of discrimitation and ignorant statements about Arabs and Muslims, specially inside schools, from educational staff and school communities. We have watched german art and educational institutions, when at all making public statements, show solidarity to the losses of Israel and silence about what is happening in Palestine. We confirm a complex set of silencing mechanisms at play against those that are critical of mainstream narratives.

**Hereby we publicly declare our devastation about this situation and that we do not agree with the ways the German government and the German cultural and academic circuit has acted so far. We are disapointed and specially revolted by the discrepancy between all the decolonial discourse that has permeated the arts - a staging in which all members of our organisation have acted upon - and the general retraction to a brutal scenario that blows up the main injustices and power inequalities decolonization fights against. We understand there are many mechanisms for silencing at play, still, we cannot accept the submission to this oppression of speech and criticism. We call specially the german voices to work out through their reasons not to speak up and use their locus of speech that is of particular relevance to the injustices exploding in the last months and

to the extreme-right agenda that is taking over more and more space.**

We would like also to call attention to the many ways in which this current crisis reinforce mechanisms of polarization and separation between people all over the world. Archipel will put its efforts in maintaing its open channel for all voices and contuining to produce spaces of encounter in times of further increase in broken relationships. Inasmusch as we feel we must speak out against the current upmost injustices, we also need to stay aware of the importance of connectivity and cross-communication in the sight of a large aparatus that is trying to disrupt valuable interpersonal relationships. We want to contribute to free and diverse media environment and foster cultures of listening that produce empathy and respect.

CEASE FIRE NOW. REPAIR.

p.s. We keep changing at the beginning of this statment days, for weeks, for months... now it's a year and a few months since.